#John wick 2 script how to
#John wick 2 script movie

We know where we want to go, we know the thematics. We’ll see how that goes,” said Stahelski.Īs far as where Stalehski and his team are in the pre-production process, Stalehski says that they are trying to shape the John Wick 4 “scriptment” into the foundation for a new entry: “We have, I wouldn’t call it a first draft but I’d call it a ‘scriptment’: A written-out story, part outline, part script, part thing. So, we’re talking about doing a little bit more than a, or something like that, and trying to develop that. We’ll make a plan.’ The studios went, ‘We totally get what you’re trying to do.’ We submitted an idea or thematic and it was really big. Eventually, the moviegoer staggering out of a violent screening looking for headache tablets will be you.“We just kinda met each other when we were doing the publicity tour and I think we were in Japan, and Keanu goes, ‘I think I got one more left in me,’ and we had one idea we didn’t use which we really loved and we have to cut it out of number three, just didn’t have the space for it. I don’t think it’s overly prudish to wonder just where the line of decency is as audience bloodlust continues to get chummed. These high body-count brutality fests, even the cleverly made ones (like Hardcore Henry or The Raid 2) are ephemeral, and their mindlessness doesn’t stick, no matter how many minds are shown sticking to the wall.

Yet Downfall is the one that keeps coming up because it was a rich story with urgent themes, historical resonance and dramatic tension. But violent movies come into my life so regularly I must have seen so many others brimming with vicious head kills since then.

#John wick 2 script movie

The last movie I remember with so many gunshots to the head was Oliver Hirschbiegel’s Downfall. Stylized violence in movies isn’t going away any time soon. In fact, some might say it makes you realize the waste of effort in this whole enterprise. Oh, it absolutely looks breathtaking (and shatters The Lady From Shanghai’s broken glass count), but the mere presence of a recorded voice saying things about “deeper reflections into the nature of self” doesn’t actually impart any intellectual heft. The “we’re just joshing around” angle, in addition to making very little sense, just feels like a paint job, as does the lame final act twist of having a showdown at an art museum. So, it’s supposed to be funny when Keanu Reeves’ John Wick and his nemesis (played by Common) have to temporarily call a truce when their brutal brawl crashes into the lobby of the Continental, but I dunno, that little dose of intentional comedy wasn’t enough to wash the bloody taste out of my mouth. (The Pulse dance club in Orlando fell to an MCX, the Pepsi to the AR-15’s Coke.) I recognize it as the gun of choice in Newtown and Aurora and San Bernardino. Until our hero was handed an enormous rifle in the AR family. Peter Serafinowicz plays the Roman “sommelier” who actual deals in carbines, not cabernets.Ī lustily shot sequence teases out one weapon after another and, to one who has never held a firearm and has no intention of doing so, each make and model just sounds like chrome noise.

#John wick 2 script how to

The world of John Wick includes a chain of fancy hotels serving as “neutral ground” for killers who are currently “working”, eg figuring out how to murder someone and, probably, their dozens of bodyguards and henchmen. And when the imagery faded (along with the hoots ‘n’ hollers of the audience) I felt sunk in a crater of guilt, choking on a miasma of shame.

John Wick: Chapter 2, a string of elaborate bullet ballets with only trace elements of a plot, is hardcore gun pornography, pure and simple. To put it bluntly, it took film-making this good to realize just how sick we’ve all become. Years ago, watching a beat-down or shoot-out would send me into a white-knuckle sweat. OK, so I know like I sound like someone terrified of witchcraft lurking in heavy metal lyrics, but common sense (and my own viewing habits) have me convinced that desensitization to violence is a real thing. But eventually we’ll need to ask: where does this end? Just because we can rattle our brains with bone-snapping, aorta-snipping, cranium-splashing violence, does that mean we have to? At what point does this hyperactive, blood-soaked, corpse-strewn video game aesthetic, however laudatory its choreography, cease being harmless entertainment and become psychologically invasive? And that’s why I’ve called you all to the PTA tonight.